RECOUNT TEXT


RECOUNT TEXT

1. The Definition and Social Function of Recount Text
            Recount text is a type of spoken or written text that deals with:
-         past experiences
-         what had happened in series of events in sequence.
-         calling past memory
-         a true story
-          I or we
-         There is no complication among the participants and that differentiates from narrative.

The purpose of recount text is to inform and/or to entertain the listeners or readers or to tell an event in the past time chronologically. In other words this text is aimed to tell the readers what happened in the past through a sequence of events.


2. The Generic Structure of Recount Text

a. Orientation            
An introduction that providers the setting and introduces participations. In orientation the writer at least introduces the main character(s), the location and the time. To make it easier we can answer the questions:
- Who involved in the story?
- Where it happened?
- When it happened?

b. Sequence of Events          
-                                                           Describing series of event that happened in the past. It tells what happened, in a sequence. In series of events the writer writes the
-                                                          events chronologically. It begins from the first event, followed by the second event to the the last event. The sum of events depend on the creativity of the writer.

c. Reorientation
-                                                                                                             Closure of events. In reorientation the writer draw a conclusion or gives comment about the story. Not all recount text closed by reorientation. It is optional Stating personal comment of the writer to the story.

3. Language Features of Recount Text
Here are some characteristics of recount text:
-          Using Past Tense            : walked, did not want
-          Action verbs                     : bought, went, enjoyed
-          Indicates When                : when I was at home
-          Indicates Where               : I went to the town square of
                                            Ponorogo.
-          Focuses on Individuals    : I , We
-          Use of pronouns and nouns : David, he, she
-          Use of Noun Phrase : a beautiful beach
-          Use of adverbial phrases
-          Use of adjectives : cool, wise, wonderful
-          Using chronological connection; then, first, etc
-          Using linking verb; was, were, saw, heard, etc


BIOGRAPHY


A biography is a written account of the series of events that make up a person's life. Every student will write a biography at some point, but the level of detail and sophistication will differ. A fourth grade biography will be much different from a middle school-level biography or a high school or college-level biography.
However, each biography will include the basic details. The first information you should gather in your research will include biographical details and facts. You must use a trustworthy resource to ensure that your information is accurate.
Using research note cards, collect the following data, carefully recording the source for each piece of information:
Basic details include:
  • Date and place of birth and death
  • Family information
  • Lifetime accomplishments
  • Major events of life
  • Effects/impact on society, historical significance



A Memoir of W.S. Rendra

Willibrordus Surendra Broto Rendra, known as W.S. Rendra was born in Solo on 7th November 1935. He was a poet, writer, dramatist, cultural activist and theater director. He was one of the most talented artists and often called “The Peacock” by the press.
Rendra studied at the American Academy of Dramatic Arts, the same school as Marlon Brando, a great movie actor. After he graduated, he returned to Indonesia in 1968 and founded Bengkel
Teater (Theater Workshop) in Yogyakarta. The group quickly astonished audience with works that were artistically experimental. Rendra rose to fame as a poet in the 1950s. He was also credited as the man who brought modern Indonesian theater to its maturity through his experimental works with Bengkel Teater. Rendra brought traditional expressions into modern context.
In 1969, he created a series of dramas without dialogues, where actors employed body language and simple sounds such as bip bop, zzzz and rambate rata-rata. The journalist poet Gunawan Mohammad dubbed these experimental performances as a “mini-word theater”.
Rendra died at the age of 73, but he remains the most influential poet in the country.

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